I moved from New Jersey to Georgia with the other members of my band after we finished high school. I had never considered myself a drummer as much as a member of Uncle Green, the guy who happened to play drums. That wouldn't change for a long time, and I can't point to any specific moment when I suddenly thought of myself as a "real" drummer—just years of recording and touring, with several healthy doses of humiliation along the way.I also never considered myself to be much of a writer when we moved down, in spite of brilliant pre-teen satires like Star Warts, and several dozen angsty poems written in high school. Someone recently asked when I first recognized myself as a writer, though, and that is a moment I can still see clearly. There’s a lot of downtime when you’re in a band, even one that lives together and practices as much as we did; there are plenty of nights when you’re not gigging, especially early in your career, long hours where I could do whatever I wanted. In retrospect, I’m glad that we did not have fast and easy internet service, because it would have been much easier to make those hours disappear. Instead, I internalized a lesson I would later hear Ann Patchett put into words: “The intersection of freedom and boredom is where art is made.” (As an aside, I note that I am trying to teach my kids this lesson now, and it seems to be a hard one for them to learn. Maybe we should just cut off the internet.)Inspired by this free time and lack of money, I started banging away on the Smith Corona typewriter I brought with me. For the first time I tried to create a sustained narrative, and after sixteen days I decided I had something worthy of a title: Having a Great Time. I didn’t feel right calling it a novel, but I did call it a book, even though it featured barely-fictionalized characters from my own life and its fragmented chapters ran less than 100 pages. I called it a book and felt like a writer, especially proud of the fact that I had the endurance to type the whole thing twice. Punching holes in the pages and sticking the thing in a binder, so that I could give it to other people to read, made me feel as though I had crossed the line between those who had written something and those who had not.Thirty years later, I still have the one and only copy. Having just skimmed it for the first time in decades, I'm glad that I spent the last thirty years learning the value of revision.
As drummer for the rock band Uncle Green, Peter McDade spent fifteen years traveling the highways of America in a series of Ford vans. While the band searched for fame and a safe place to eat before a gig, he began writing short stories and novels. Uncle Green went into semi-retirement after four labels, seven records, and one name change; Peter went to Georgia State University and majored in History and English, eventually earning an MA in History. He teaches history to college undergrads, records with Paul Melançon and Eytan Mirsky, and lives in Atlanta with his family.