Aspiring rock musician Spider Webb announces to his parents that he will skip high school graduation and move to Athens, Georgia to launch his career in the birthplace of R.E.M. and the B-52s. Over the next 25 years, a chorus of narrators, including bandmates, roadies, girlfriends, record executives, and fans, illuminates the joys and travails of a rising rock 'n' roll musician.
If music is the space between the notes, a musician’s life is found in the spaces between the shows and the strange quiet that settles after the final chord has dissolved. Peter McDade’s The Weight of Sound unearths those hidden moments with heartbreaking precision. It is a panoramic reading and listening experience that will forever deepen your understanding of what you see happening on the rock and roll stage.
Each chapter moves chronologically through Spider’s life but is told from a different person’s perspective: Spider’s bandmates, a girlfriend, a tour manager, a record executive, various fans. This could have felt jumpy and disconcerting, but McDade compels us so expertly with these characters that we’re quickly immersed in their voices and concerns. All these characters feel fully formed, solid and idiosyncratic
Anyone who wants to understand what it’s like to be in a band, to love music, and to love those who make music with you should read The Weight of Sound, with writing as tight as John Bonham on drums.
As drummer for the rock band Uncle Green, Peter McDade spent fifteen years traveling the highways of America in a series of Ford vans. While the band searched for fame and a safe place to eat before a gig, he began writing short stories and novels. Uncle Green went into semi-retirement after four labels, seven records, and one name change; Peter went to Georgia State University and majored in History and English, eventually earning an MA in History. He teaches history to college undergrads, records with Paul Melançon and Eytan Mirsky, and lives in Atlanta with his family.